02

02

02

Week 02

Type as structure

Optical alignment, baseline rhythm, and the difference between a typeface you chose and a typeface that is doing work.

TWO LIVE SESSIONS

ONE WRITTEN CRITIQUE

ABOUT SIX HOURS

Week 02

(The idea)

(The idea)

You do not choose a typeface. You choose what it has to survive.

(What you make)

A documented type scale and a written defence of one typeface over another.

What we cover

A typeface is a decision, not a preference. We cover how to read one before you use it: x-height against measure, apertures, how it behaves at small sizes, and what happens to it under real content.

The work

You build a type scale from constraints rather than from a modular ratio, then set the same page in two faces and argue for one.

(Every week of the course)

Week 01

The invisible grid

Week 02

Type as structure

Week 03

Colour without guessing

Week 04

Hierarchy under pressure

Week 05

Motion with a reason

Week 06

Shipping without dilution

12 of 14 seats left

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